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Christmas Incorporated

Christmas Incorporated

TV Movie · Drama · 2015

Sometimes, life just seems to hand you exactly what you need – particularly at Christmastime. Riley is scraping bottom when she miraculously lands a job with a wealthy New York City entrepreneur. He’s a bad-boy socialite type who is poised to play Scrooge by closing one of his factories just before Christmas, which would devastate an entire town. It’s left to Riley to talk him out of it and turn him into a man of virtue rather than shame.

Movie details

Christmas Incorporated

2015 TV Movie · Drama 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Sometimes, life just seems to hand you exactly what you need – particularly at Christmastime. Riley is scraping bottom when she miraculously lands a job with a wealthy New York City entrepreneur. He’s a bad-boy socialite type who is poised to play Scrooge by closing one of his factories just before Christmas, which would devastate an entire town. It’s left to Riley to talk him out of it and turn him into a man of virtue rather than shame.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Christmas Incorporated?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jonathan Wright

Written by

Brook Durham

Shenae Grimes-Beech

Shenae Grimes-Beech

Riley Vance

Steve Lund

Steve Lund

William Young

Ron Lea

Ron Lea

Mayor Martin Keegan

Jane Moffat

Jane Moffat

Amanda Sage

Miranda Millar

Miranda Millar

Emily Lamb

Hannah Spear

Hannah Spear

Piper

Penny Eizenga

Penny Eizenga

Judy Vance

Court is in session

Put Christmas Incorporated on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.