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Diary of a Chambermaid

Diary of a Chambermaid

Drama · Comedy · 1964

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

Movie details

Diary of a Chambermaid

1964 Drama · Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Diary of a Chambermaid?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Luis Buñuel

Written by

Luis Buñuel · Jean-Claude Carrière

Jeanne Moreau

Jeanne Moreau

Céléstine

Georges Géret

Georges Géret

Joseph

Michel Piccoli

Michel Piccoli

Monsieur Monteil

Françoise Lugagne

Françoise Lugagne

Madame Monteil

Jean Ozenne

Jean Ozenne

Monsieur Rabour

Daniel Ivernel

Daniel Ivernel

Captain Mauger

Bernard Musson

Bernard Musson

Le sacristain

Court is in session

Put Diary of a Chambermaid on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.