“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Madeline
Family · Comedy · Drama · 1998
Horrified at the prospect of her beloved school being sold, a young French girl named Madeline uses her wit and craftiness to attempt to save it, making an unlikely new friend in the process.
Madeline
“In an old house in Paris, that was covered with vines...”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Horrified at the prospect of her beloved school being sold, a young French girl named Madeline uses her wit and craftiness to attempt to save it, making an unlikely new friend in the process.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Madeline?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Daisy von Scherler Mayer
Written by
Mark Levin · Jennifer Flackett
Put Madeline on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.





