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Ballet Shoes

Ballet Shoes

Drama · Family · 2008

An unusual explorer named Gum and his kindly niece adopt three orphans -- Pauline, Petrova and Posy -- and raise them as sisters in 1930s London. But the girls must fend for themselves when Gum doesn't return from one of his adventures. Together, they nurture their passions for acting, aviation and ballet in this charming TV adaptation of Noel Streatfield's novel.

Movie details

Ballet Shoes

“Dreams do come true.”

2008 Drama · Family 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

An unusual explorer named Gum and his kindly niece adopt three orphans -- Pauline, Petrova and Posy -- and raise them as sisters in 1930s London. But the girls must fend for themselves when Gum doesn't return from one of his adventures. Together, they nurture their passions for acting, aviation and ballet in this charming TV adaptation of Noel Streatfield's novel.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ballet Shoes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sandra Goldbacher

Written by

Heidi Thomas

Emilia Fox

Emilia Fox

Sylvia Brown

Victoria Wood

Victoria Wood

Nana

Emma Watson

Emma Watson

Pauline Fossil

Yasmin Paige

Yasmin Paige

Petrova Fossil

Lucy Boynton

Lucy Boynton

Posy Fossil

Marc Warren

Marc Warren

Mr. Simpson

Richard Griffiths

Richard Griffiths

Great Uncle Matthew

Court is in session

Put Ballet Shoes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.