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The Disorderly Orderly

The Disorderly Orderly

Comedy · Romance · 1964

Poor Jerome Littlefield. He wants to be a doctor – but that's not exactly the perfect career choice when you're hopelessly squeamish. So he settles for the job of orderly at the Whitestone Sanitarium, a career move that's guaranteed to keep the patients – and viewers – in stitches!

Movie details

The Disorderly Orderly

“NOTE: This picture was made entirely without the co-operation of any medical association!”

1964 Comedy · Romance 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Poor Jerome Littlefield. He wants to be a doctor – but that's not exactly the perfect career choice when you're hopelessly squeamish. So he settles for the job of orderly at the Whitestone Sanitarium, a career move that's guaranteed to keep the patients – and viewers – in stitches!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Disorderly Orderly?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Frank Tashlin

Written by

Ed Haas · Frank Tashlin · Norm Liebmann

Jerry Lewis

Jerry Lewis

Jerome Littlefield

Glenda Farrell

Glenda Farrell

Dr. Jean Howard

Karen Sharpe

Karen Sharpe

Julie Blair

Susan Oliver

Susan Oliver

Susan Andrews

Everett Sloane

Everett Sloane

Mr. Tuffington

Kathleen Freeman

Kathleen Freeman

Nurse Higgins

Del Moore

Del Moore

Dr. Davenport

Court is in session

Put The Disorderly Orderly on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.