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The Brothers Rico

The Brothers Rico

Crime · 1957

Eddie Rico, the erstwhile bookkeeper for a big Mafia boss, is now making a living as an honest merchant in Florida with his family. Things go sour when the police start a search for his syndicate-linked brothers who are on the lam after a big hit, forcing Eddie to get involved with the Mafia again.

Movie details

The Brothers Rico

“Three hunted men and their desperate women...”

1957 Crime 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Eddie Rico, the erstwhile bookkeeper for a big Mafia boss, is now making a living as an honest merchant in Florida with his family. Things go sour when the police start a search for his syndicate-linked brothers who are on the lam after a big hit, forcing Eddie to get involved with the Mafia again.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Brothers Rico?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Phil Karlson

Written by

Lewis Meltzer · Ben Perry · Dalton Trumbo

Richard Conte

Richard Conte

Eddie Rico

Dianne Foster

Dianne Foster

Alice Rico

Kathryn Grant

Kathryn Grant

Norah Malaks Rico

Larry Gates

Larry Gates

Sid Kubik

James Darren

James Darren

Johnny Rico

Argentina Brunetti

Argentina Brunetti

Mrs. Rico

Lamont Johnson

Lamont Johnson

Peter Malaks

Court is in session

Put The Brothers Rico on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Restraint trusts the audience.”

It leaves emotional space unlabelled, trusting viewers to notice what the characters cannot say aloud.

The prosecution The Sentimental Softie

“Distance mistaken for discipline.”

The chill may look elegant, but withholding a heartbeat is not the same as having complicated feelings.