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Kiss Me Kate

Kiss Me Kate

Music · Comedy · Romance · 1953

A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

Movie details

Kiss Me Kate

“Famed Stage Hit Now Big Color Musical!”

1953 Music · Comedy · Romance 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kiss Me Kate?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

George Sidney

Written by

Dorothy Kingsley

Kathryn Grayson

Kathryn Grayson

Lilli Vanessi, "Katherine"

Howard Keel

Howard Keel

Fred Graham, "Petruchio"

Ann Miller

Ann Miller

Lois Lane, "Bianca"

Keenan Wynn

Keenan Wynn

Lippy

Bobby Van

Bobby Van

"Gremio"

Tommy Rall

Tommy Rall

Bill Calhoun, "Lucentio"

James Whitmore

James Whitmore

Slug

Court is in session

Put Kiss Me Kate on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.