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Indiscreet

Indiscreet

Comedy · Romance · 1958

Anna Kalman is an accomplished actress who has given up hope of finding the man of her dreams. While talking about this subject with her sister, in walks Philip Adams and she realizes that this is the charming, smart, and handsome man she has been waiting for.

Movie details

Indiscreet

“How dare he make love to me - And not be a married man!”

1958 Comedy · Romance 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Anna Kalman is an accomplished actress who has given up hope of finding the man of her dreams. While talking about this subject with her sister, in walks Philip Adams and she realizes that this is the charming, smart, and handsome man she has been waiting for.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Indiscreet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Woman in Red

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Comedy · 1984

When a happily married family man, who would never consider an affair, meets a beautiful woman in red, he is totally infatuated and desperate to make her acquaintance. However, as he tries out various schemes to sneak out to meet her, he realizes that adultery is not quite as easy as it looks.

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Names above the title

The people responsible.

Directed by

Stanley Donen

Written by

Norman Krasna

Cary Grant

Cary Grant

Philip Adams

Ingrid Bergman

Ingrid Bergman

Anna Kalman

Cecil Parker

Cecil Parker

Alfred Munson

Phyllis Calvert

Phyllis Calvert

Mrs. Margaret Munson

David Kossoff

David Kossoff

Carl Banks

Megs Jenkins

Megs Jenkins

Doris Banks

M

Michael Anthony

Oscar

Court is in session

Put Indiscreet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.