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The Girl on the Train

The Girl on the Train

Crime · Mystery · Thriller · 2016

Rachel Watson, devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

Movie details

The Girl on the Train

“What you see can hurt you.”

2016 Crime · Mystery · Thriller 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Rachel Watson, devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Girl on the Train?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Presumed Innocent

Presumed Innocent

Mystery · 1990

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A Walk Among the Tombstones

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Crime · 2014

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The Number 23

The Number 23

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The Bone Collector

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Names above the title

The people responsible.

Directed by

Tate Taylor

Written by

Erin Cressida Wilson

Emily Blunt

Emily Blunt

Rachel Watson

Rebecca Ferguson

Rebecca Ferguson

Anna Watson

Haley Bennett

Haley Bennett

Megan Hipwell

Luke Evans

Luke Evans

Scott Hipwell

Justin Theroux

Justin Theroux

Tom Watson

Allison Janney

Allison Janney

Detective Sgt. Riley

Lisa Kudrow

Lisa Kudrow

Martha

Court is in session

Put The Girl on the Train on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.