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Kiss the Girls

Kiss the Girls

Thriller · Crime · Mystery · 1997

Forensic psychologist and detective Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down "Casanova," a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.

Movie details

Kiss the Girls

“Smart girls. Pretty girls. Missing girls.”

1997 Thriller · Crime · Mystery 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Forensic psychologist and detective Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down "Casanova," a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kiss the Girls?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gary Fleder

Written by

David Klass

Morgan Freeman

Morgan Freeman

Det. Alex Cross

Ashley Judd

Ashley Judd

Dr. Kate McTiernan

Cary Elwes

Cary Elwes

Det. Nick Ruskin

Alex McArthur

Alex McArthur

Det. Davey Sikes

Tony Goldwyn

Tony Goldwyn

Dr. Will Rudolph

Jay O. Sanders

Jay O. Sanders

FBI Agent Kyle Craig

Bill Nunn

Bill Nunn

Det. John Sampson, LAPD

Court is in session

Put Kiss the Girls on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.