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Modigliani

Modigliani

Drama · 2004

Set in Paris in 1919, biopic centers on the life of late Italian artist Amedeo Modigliani, focusing on his last days as well as his rivalry with Pablo Picasso. Modigliani, a Jew, has fallen in love with Jeanne, a young and beautiful Catholic girl. The couple has an illegitimate child, and Jeanne's bigoted parents send the baby to a faraway convent to be raised by nuns.

Movie details

Modigliani

“His passion was life. His obsession was art.”

2004 Drama 2h 8m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Set in Paris in 1919, biopic centers on the life of late Italian artist Amedeo Modigliani, focusing on his last days as well as his rivalry with Pablo Picasso. Modigliani, a Jew, has fallen in love with Jeanne, a young and beautiful Catholic girl. The couple has an illegitimate child, and Jeanne's bigoted parents send the baby to a faraway convent to be raised by nuns.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Modigliani?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mick Davis

Written by

Mick Davis

Andy Garcia

Andy Garcia

Amedeo Modigliani

Elsa Zylberstein

Elsa Zylberstein

Jeanne Hébuterne

Omid Djalili

Omid Djalili

Pablo Picasso

Hippolyte Girardot

Hippolyte Girardot

Maurice Utrillo

Eva Herzigová

Eva Herzigová

Olga Picasso

Miriam Margolyes

Miriam Margolyes

Gertrude Stein

Udo Kier

Udo Kier

Max Jacob

Court is in session

Put Modigliani on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.