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Goin' South

Goin' South

Comedy · Western · Romance · 1978

Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single or widowed woman can save him from the gallows by marrying him.

Movie details

Goin' South

“In 1868 Longhorn Texas, a convicted outlaw had two choices: get hung, or get married.”

1978 Comedy · Western · Romance 1h 49m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Henry Moon is captured for a capital offense by a posse when his horse quits while trying to escape to Mexico. He finds that there is a post-Civil War law in the small town that any single or widowed woman can save him from the gallows by marrying him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Goin' South?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jack Nicholson

Written by

John Herman Shaner · Al Ramrus · Charles Shyer · Alan Mandell

Jack Nicholson

Jack Nicholson

Henry Moon

Mary Steenburgen

Mary Steenburgen

Julia Tate

Christopher Lloyd

Christopher Lloyd

Towfield

John Belushi

John Belushi

Hector

Veronica Cartwright

Veronica Cartwright

Hermine

Richard Bradford

Richard Bradford

Sheriff Kyle

Jeff Morris

Jeff Morris

Big Abe

Court is in session

Put Goin' South on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.