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You Can't Take It with You

You Can't Take It with You

Comedy · Romance · 1938

Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.

Movie details

You Can't Take It with You

“You'll love them all for giving you the swellest time you've ever had!”

1938 Comedy · Romance 2h 6m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Alice, the only relatively normal member of the eccentric Sycamore family, falls in love with Tony Kirby, but his wealthy banker father and snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things don't turn out the way Alice had hoped.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over You Can't Take It with You?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Frank Capra

Written by

Robert Riskin

Jean Arthur

Jean Arthur

Alice Sycamore

Lionel Barrymore

Lionel Barrymore

Martin Vanderhof

James Stewart

James Stewart

Tony Kirby

Edward Arnold

Edward Arnold

Anthony P. Kirby

Mischa Auer

Mischa Auer

Kolenkhov

Ann Miller

Ann Miller

Essie Carmichael

Spring Byington

Spring Byington

Penny Sycamore

Court is in session

Put You Can't Take It with You on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.