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Magnolia

Magnolia

Drama · 1999

On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.

Movie details

Magnolia

“Things fall down. People look up. And when it rains, it pours.”

1999 Drama 3h 9m

Critical arithmetic

The consensus, allegedly.

IMDb

8.0 / 10

341.9K votes

Rotten Tomatoes

82 %

Tomatometer

Metacritic

78 / 100

Metascore

TMDB

7.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Magnolia?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Paul Thomas Anderson

Written by

Paul Thomas Anderson

Tom Cruise

Tom Cruise

Frank T.J. Mackey

Philip Baker Hall

Philip Baker Hall

Jimmy Gator

Philip Seymour Hoffman

Philip Seymour Hoffman

Phil Parma

Julianne Moore

Julianne Moore

Linda Partridge

William H. Macy

William H. Macy

Quiz Kid Donnie Smith

John C. Reilly

John C. Reilly

Officer Jim Kurring

Melora Walters

Melora Walters

Claudia Wilson Gator

Court is in session

Put Magnolia on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.