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The Other Woman

The Other Woman

Drama · 2010

Emilia, a law-school graduate, falls in love with her married boss, Jack. After Emilia marries Jack, her happiness turns unexpectedly to grief following the death of her infant daughter. Devastated, Emilia nonetheless carries on, attempting to forge a connection with her stepson William and to resist the interference of Jack's jealous ex-wife.

Movie details

The Other Woman

“Love makes everything possible.”

2010 Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Emilia, a law-school graduate, falls in love with her married boss, Jack. After Emilia marries Jack, her happiness turns unexpectedly to grief following the death of her infant daughter. Devastated, Emilia nonetheless carries on, attempting to forge a connection with her stepson William and to resist the interference of Jack's jealous ex-wife.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Other Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Noel

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Where it lives

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Names above the title

The people responsible.

Directed by

Don Roos

Written by

Don Roos

Natalie Portman

Natalie Portman

Emilia Greenleaf

Scott Cohen

Scott Cohen

Jack Woolf

Charlie Tahan

Charlie Tahan

William Woolf

Lauren Ambrose

Lauren Ambrose

Mindy

Lisa Kudrow

Lisa Kudrow

Carolyne Soule

Michael Cristofer

Michael Cristofer

Sheldon Greenleaf

Debra Monk

Debra Monk

Laura Greenleaf

Court is in session

Put The Other Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.