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Steve Jobs: The Man in the Machine

Steve Jobs: The Man in the Machine

Documentary · 2015

When Steve Jobs died the world wept. But what accounted for the grief of millions of people who didn’t know him? This evocative film navigates Jobs' path from a small house in the suburbs, to zen temples in Japan, to the CEO's office of the world's richest company, exploring how Jobs’ life and work shaped our relationship with the computer. The Man in the Machine is a provocative and sometimes startling re-evaluation of the legacy of an icon.

Movie details

Steve Jobs: The Man in the Machine

“Bold. Brilliant. Brutal.”

2015 Documentary 2h 9m

Critical arithmetic

The consensus, allegedly.

IMDb

6.9 / 10

6.7K votes

Rotten Tomatoes

75 %

Tomatometer

Metacritic

72 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When Steve Jobs died the world wept. But what accounted for the grief of millions of people who didn’t know him? This evocative film navigates Jobs' path from a small house in the suburbs, to zen temples in Japan, to the CEO's office of the world's richest company, exploring how Jobs’ life and work shaped our relationship with the computer. The Man in the Machine is a provocative and sometimes startling re-evaluation of the legacy of an icon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Steve Jobs: The Man in the Machine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alex Gibney

Written by

Alex Gibney

B

Bob Belleville

Self

C

Chrisann Brennan

Self

N

Nolan Bushnell

Self

J

Jason Chen

Self

N

Nick Denton

Self

J

Jesus Diaz

Self

P

Peter Elkind

Self

Court is in session

Put Steve Jobs: The Man in the Machine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.