“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The Corpse of Anna Fritz
Drama · Thriller · 2015
Anna Fritz is a beautiful and famous actress. Suddenly her body is found in a hotel and the news of her death goes around the planet. The young, shy caretaker Pau works at the hospital where they carried the body of Anna Fritz. He and his friends decide to take pictures of the body of Anna Fritz. They decide they could make love to her and nobody would know. They are in front of Anna Fritz ... and can do with it what they want.
The Corpse of Anna Fritz
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
Anna Fritz is a beautiful and famous actress. Suddenly her body is found in a hotel and the news of her death goes around the planet. The young, shy caretaker Pau works at the hospital where they carried the body of Anna Fritz. He and his friends decide to take pictures of the body of Anna Fritz. They decide they could make love to her and nobody would know. They are in front of Anna Fritz ... and can do with it what they want.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Corpse of Anna Fritz?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Hèctor Hernández Vicens
Written by
Isaac P. Creus · Hèctor Hernández Vicens
Put The Corpse of Anna Fritz on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






