“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The Coming of Sin
Thriller · Drama · 1978
A superstitious servant girl - who has foreboding nightmares about a naked man on horseback - comes to live with a solitary female artist at her country chateau. As the artist takes the girl under her wing, a sensuous relationship develops between them.
The Coming of Sin
“She asked for it…”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
A superstitious servant girl - who has foreboding nightmares about a naked man on horseback - comes to live with a solitary female artist at her country chateau. As the artist takes the girl under her wing, a sensuous relationship develops between them.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Coming of Sin?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
José Ramón Larraz
Written by
Monique Pastrynn · José Ramón Larraz
Put The Coming of Sin on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.

