The defence The Adrenaline Seeker
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Body Parts
Horror · Thriller · 1991
A criminal psychologist loses his arm in a car crash, and becomes one of three patients to have their missing limbs replaced by those belonging to an executed serial killer. One of them dies violently, and disturbing occurrences start happening to the surviving two.
Movie details
Body Parts
“Where does evil live, the heart, the mind or the flesh?”
1991 Horror · Thriller 1h 28m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.8 / 10
Community rating
A criminal psychologist loses his arm in a car crash, and becomes one of three patients to have their missing limbs replaced by those belonging to an executed serial killer. One of them dies violently, and disturbing occurrences start happening to the surviving two.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Body Parts?
For the defence
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Eric Red
Written by
Norman Snider · Eric Red
Jeff Fahey
Bill Chrushank
Lindsay Duncan
Dr. Agatha Webb
Kim Delaney
Karen Chrushank
Zakes Mokae
Detective Sawchuck
Brad Dourif
Remo Lacey
J
John Walsh
Charley Fletcher
Paul Ben-Victor
Ray Kolberg
Court is in session
Put Body Parts on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.