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Drag Me to Hell

Drag Me to Hell

Horror · Thriller · 2009

After denying a woman the extension she needs to keep her home, loan officer Christine Brown sees her once-promising life take a startling turn for the worse. Christine is convinced she's been cursed by a Gypsy, but her boyfriend is skeptical. Her only hope seems to lie in a psychic who claims he can help her lift the curse and keep her soul from being dragged straight to hell.

Movie details

Drag Me to Hell

“Christine Brown has a good job, a great boyfriend, and a bright future. But in three days, she's going to hell.”

2009 Horror · Thriller 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

After denying a woman the extension she needs to keep her home, loan officer Christine Brown sees her once-promising life take a startling turn for the worse. Christine is convinced she's been cursed by a Gypsy, but her boyfriend is skeptical. Her only hope seems to lie in a psychic who claims he can help her lift the curse and keep her soul from being dragged straight to hell.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Drag Me to Hell?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sam Raimi

Written by

Sam Raimi · Ivan Raimi

Alison Lohman

Alison Lohman

Christine Brown

Justin Long

Justin Long

Clay Dalton

Lorna Raver

Lorna Raver

Mrs. Ganush

Dileep Rao

Dileep Rao

Rham Jas

David Paymer

David Paymer

Mr. Jacks

Adriana Barraza

Adriana Barraza

Shaun San Dena

Chelcie Ross

Chelcie Ross

Leonard Dalton

Court is in session

Put Drag Me to Hell on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.