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Someone to Watch Over Me

Someone to Watch Over Me

Drama · Romance · Thriller · 1987

Claire Gregory, an upper class New York personality, witnesses a murder in a luxurious nightclub. Detective Mike Keegan, recently promoted, is assigned to protect her.

Movie details

Someone to Watch Over Me

“If you ever see me again, you never saw me before.”

1987 Drama · Romance · Thriller 1h 43m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Claire Gregory, an upper class New York personality, witnesses a murder in a luxurious nightclub. Detective Mike Keegan, recently promoted, is assigned to protect her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Someone to Watch Over Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Ridley Scott

Written by

David Seltzer · Danilo Bach · Howard Franklin

Tom Berenger

Tom Berenger

Det. Mike Keegan

Mimi Rogers

Mimi Rogers

Claire Gregory

Lorraine Bracco

Lorraine Bracco

Ellie Keegan

Jerry Orbach

Jerry Orbach

Lt. Garber

John Rubinstein

John Rubinstein

Neil Steinhart

Andreas Katsulas

Andreas Katsulas

Joey Venza

Tony DiBenedetto

Tony DiBenedetto

T.J.

Court is in session

Put Someone to Watch Over Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.