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The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse

War · Romance · Drama · 1921

Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.

Movie details

The Four Horsemen of the Apocalypse

“AN EPIC OF REALISM With its great scenes of Argentine-its intimate views of Parisian life-its titanic battle scenes-its massive settings-its tremendous realism-its faithful reproduction of the vital story-its mighty drama-its soul stirring romance.”

1921 War · Romance · Drama 2h 36m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Set in the years before and during World War I, this epic tale tells the story of a rich Argentine family, one of its two descending branches being half of French heritage, the other being half German. Following the death of the family patriarch, the man's two daughters and their families resettle to France and Germany, respectively. In time the Great War breaks out, putting members of the family on opposing sides.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Four Horsemen of the Apocalypse?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Rex Ingram

Written by

June Mathis

Rudolph Valentino

Rudolph Valentino

Julio Desnoyers

Josef Swickard

Josef Swickard

Marcelo Desnoyers

Alice Terry

Alice Terry

Marguerite Laurier

Alan Hale

Alan Hale

Karl von Hartrott

Pomeroy Cannon

Pomeroy Cannon

Madariaga

B

Bridgetta Clark

Doña Luisa

V

Virginia Warwick

Chichí

Court is in session

Put The Four Horsemen of the Apocalypse on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.