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Little Ashes

Little Ashes

Drama · Romance · 2008

About the young life and loves of artist Salvador Dalí, filmmaker Luis Buñuel and writer Federico García Lorca.

Movie details

Little Ashes

“Two lovers risking it all. One story, untold until now.”

2008 Drama · Romance 1h 52m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

9.7K votes

Rotten Tomatoes

25 %

Tomatometer

Metacritic

41 / 100

Metascore

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

About the young life and loves of artist Salvador Dalí, filmmaker Luis Buñuel and writer Federico García Lorca.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Little Ashes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Laura and Simon have been best friends since college. Over the years, they've realized their bond is more than platonic. Can they—and should they—risk everything to explore a love that has existed all along?

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Total Eclipse

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A Home at the End of the World

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Ashes in the Snow

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Time Is Up

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Paul Morrison

Written by

Philippa Goslett

Javier Beltrán

Javier Beltrán

Federico García Lorca

Robert Pattinson

Robert Pattinson

Salvador Dalí

Matthew McNulty

Matthew McNulty

Luis Buñuel

Marina Gatell

Marina Gatell

Magdalena

A

Adria Allue

Guardia

Bruno Oro

Bruno Oro

Paco

Esther Nubiola

Esther Nubiola

Adela

Court is in session

Put Little Ashes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.