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A Home at the End of the World

A Home at the End of the World

Drama · Romance · 2004

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

Movie details

A Home at the End of the World

“Family can be whatever you want it to be.”

2004 Drama · Romance 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Home at the End of the World?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Mayer

Written by

Michael Cunningham

Colin Farrell

Colin Farrell

Bobby Morrow (1982)

Robin Wright

Robin Wright

Clare

Dallas Roberts

Dallas Roberts

Jonathan Glover (1982)

Sissy Spacek

Sissy Spacek

Alice Glover

Ryan Donowho

Ryan Donowho

Carlton Morrow

Erik Smith

Erik Smith

Bobby Morrow (1974)

Harris Allan

Harris Allan

Jonathan Glover (1974)

Court is in session

Put A Home at the End of the World on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.