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A Star Is Born

A Star Is Born

Drama · Music · Romance · 1954

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

Movie details

A Star Is Born

“The applause of the world... and then this!”

1954 Drama · Music · Romance 3h 16m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Star Is Born?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Star Is Born

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Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of her idol Norman Maine, is sent for a screen test, and before long attains stardom as newly minted Vicki Lester. She and Norman marry, though his career soon dwindles to nothing due to his chronic alcoholism.

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I Saw the Light

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Where it lives

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Names above the title

The people responsible.

Directed by

George Cukor

Written by

Moss Hart · William A. Wellman · Robert Carson

Judy Garland

Judy Garland

Vicki Lester

James Mason

James Mason

Norman Maine

Jack Carson

Jack Carson

Matt Libby

Charles Bickford

Charles Bickford

Oliver Niles

Tommy Noonan

Tommy Noonan

Danny McGuire

Lucy Marlow

Lucy Marlow

Lola Lavery

Amanda Blake

Amanda Blake

Susan Ettinger

Court is in session

Put A Star Is Born on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.