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His Girl Friday

His Girl Friday

Comedy · Romance · Drama · 1940

Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.

Movie details

His Girl Friday

“They're at each other's throats when they're not in each other's arms!”

1940 Comedy · Romance · Drama 1h 32m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over His Girl Friday?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Howard Hawks

Written by

Charles Lederer · Ben Hecht

Cary Grant

Cary Grant

Walter Burns

Rosalind Russell

Rosalind Russell

Hildy Johnson

Ralph Bellamy

Ralph Bellamy

Bruce Baldwin

Gene Lockhart

Gene Lockhart

Sheriff Hartwell

Porter Hall

Porter Hall

Murphy

Ernest Truex

Ernest Truex

Bensinger

Cliff Edwards

Cliff Edwards

Endicott

Court is in session

Put His Girl Friday on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.