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Mr. Right

Mr. Right

Comedy · Romance · Crime · 2016

A girl falls for the "perfect" guy, who happens to have a very fatal flaw: he's a hitman on the run from the crime cartels who employ him.

Movie details

Mr. Right

“They make a killer couple.”

2016 Comedy · Romance · Crime 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A girl falls for the "perfect" guy, who happens to have a very fatal flaw: he's a hitman on the run from the crime cartels who employ him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mr. Right?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Married to the Mob

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Dinner in America

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The Kill Room

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A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.

Where it lives

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Names above the title

The people responsible.

Directed by

Paco Cabezas

Written by

Max Landis

Sam Rockwell

Sam Rockwell

Mr. Right

Anna Kendrick

Anna Kendrick

Martha McKay

Tim Roth

Tim Roth

Hopper / Reynolds

James Ransone

James Ransone

Von Cartigan

Anson Mount

Anson Mount

Richard Cartigan

Michael Eklund

Michael Eklund

Johnny Moon

RZA

RZA

Shotgun Steve

Court is in session

Put Mr. Right on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.