The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Island of Lost Souls
Science Fiction · Horror · 1932
An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.
Movie details
Island of Lost Souls
“TERROR! Stalked the Brush-Choked Island...Where Men Who Were Animals Sought the Girl Who Was All-Human!”
1932 Science Fiction · Horror 1h 11m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Island of Lost Souls?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Erle C. Kenton
Written by
Waldemar Young · Philip Wylie
Charles Laughton
Dr. Moreau
Richard Arlen
Edward Parker
Leila Hyams
Ruth Thomas
Bela Lugosi
The Sayer of the Law
Kathleen Burke
Lota the Panther Woman
Arthur Hohl
Montgomery
Stanley Fields
Capt. Davies
Court is in session
Put Island of Lost Souls on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.