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Making Love

Making Love

Drama · Music · 2000

Costanza is drinking a beer in a Prague pub, a summer night in 1968, while a violinist enters and starts playing a "canone inverso" for her. It is not a case, that music and that violin have a story behind that could concern her. It is the love story between Jeno Varga and the music, between Jeno and Sophie.

Movie details

Making Love

2000 Drama · Music 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Costanza is drinking a beer in a Prague pub, a summer night in 1968, while a violinist enters and starts playing a "canone inverso" for her. It is not a case, that music and that violin have a story behind that could concern her. It is the love story between Jeno Varga and the music, between Jeno and Sophie.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Making Love?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ricky Tognazzi

Written by

Paolo Maurensig · Simona Izzo · Ricky Tognazzi · Graziano Diana

Hans Matheson

Hans Matheson

Jeno Varga

Mélanie Thierry

Mélanie Thierry

Sophie Levi

Lee Williams

Lee Williams

David Blau

Gabriel Byrne

Gabriel Byrne

Violinista / Jeno Varga Adulto

Ricky Tognazzi

Ricky Tognazzi

Baron Blau

Peter Vaughan

Peter Vaughan

Barone Blau

Nia Roberts

Nia Roberts

Costanza

Court is in session

Put Making Love on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.