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Meet Joe Black

Meet Joe Black

Fantasy · Drama · Romance · 1998

Bill Parrish has it all - success, wealth and power. Days before his 65th birthday, he receives a visit from a mysterious stranger, Joe Black, who soon reveals himself as Death. In exchange for extra time, Bill agrees to serve as Joe's earthly guide. But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan?

Movie details

Meet Joe Black

“Sooner or later everyone does.”

1998 Fantasy · Drama · Romance 2h 58m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Bill Parrish has it all - success, wealth and power. Days before his 65th birthday, he receives a visit from a mysterious stranger, Joe Black, who soon reveals himself as Death. In exchange for extra time, Bill agrees to serve as Joe's earthly guide. But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Meet Joe Black?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Martin Brest

Written by

Bo Goldman · Kevin Wade · Ron Osborn · Jeff Reno

Brad Pitt

Brad Pitt

Joe Black / Young Man in Coffee Shop

Anthony Hopkins

Anthony Hopkins

William Parrish

Claire Forlani

Claire Forlani

Susan Parrish

Jake Weber

Jake Weber

Drew

Marcia Gay Harden

Marcia Gay Harden

Allison

Jeffrey Tambor

Jeffrey Tambor

Quince

D

David S. Howard

Eddie Sloane

Court is in session

Put Meet Joe Black on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.