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The 7th Day

The 7th Day

Drama · 2004

Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a feud involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel's uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.

Movie details

The 7th Day

“Thirty years of hatred. One bloody Sunday”

2004 Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Isabel Jimenez is a teenager witnessing a horrible feud between her own family and the Fuentes family, a feud involving broken hearts, property disputes and a mysterious fire that destroyed the Fuentes house. Isabel's uncle is murdered by Jeronimo Fuentes, who later tries to stab her father. After Jeronimo dies in jail, Isabel must look outside of her family for the truth, learning from the village idiot that her father may have set fire to the Fuentes home.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The 7th Day?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Carlos Saura

Written by

Ray Loriga

Juan Diego

Juan Diego

Antonio

José Luis Gómez

José Luis Gómez

Emilio

José Garcia

José Garcia

José

Victoria Abril

Victoria Abril

Luciana

Yohana Cobo

Yohana Cobo

Isabel

Eulalia Ramón

Eulalia Ramón

Carmen

Ramon Fontserè

Ramon Fontserè

Jerónimo

Court is in session

Put The 7th Day on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.