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Satan's Blood

Satan's Blood

Horror · Thriller · 1978

After a chance encounter with a mysterious couple claiming to be old friends, Andrés and Ana are invited to spend the evening at a beautiful, secluded old villa. As the night winds down, they begin to sense that there are some rather strange things going on around them and, after agreeing to sleep over, find themselves unwittingly pulled into a series of bizarre sexual encounters which they slowly discover are part of a horrifying Satanic ritual designed to make them slaves to the Prince of Darkness!

Movie details

Satan's Blood

1978 Horror · Thriller 1h 22m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

After a chance encounter with a mysterious couple claiming to be old friends, Andrés and Ana are invited to spend the evening at a beautiful, secluded old villa. As the night winds down, they begin to sense that there are some rather strange things going on around them and, after agreeing to sleep over, find themselves unwittingly pulled into a series of bizarre sexual encounters which they slowly discover are part of a horrifying Satanic ritual designed to make them slaves to the Prince of Darkness!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Satan's Blood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Carlos Puerto

Written by

Carlos Puerto

Ángel Aranda

Ángel Aranda

Bruno

Sandra Alberti

Sandra Alberti

Berta

Mariana Karr

Mariana Karr

Ana

José María Guillén

José María Guillén

Andrés

Manuel Pereiro

Manuel Pereiro

Oficiante

Luis Barboo

Luis Barboo

Gate-Keeper

J

José Pagán

Medico

Court is in session

Put Satan's Blood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.