“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The Exorcist
Horror · 2022
Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.
The Exorcist
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Exorcist?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Adrián García Bogliano
Put The Exorcist on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






