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Heidi

Heidi

Drama · Family · 1937

Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man's wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.

Movie details

Heidi

“Shirley's A Little Swiss Miss In The Loveliest Story of Her Career !”

1937 Drama · Family 1h 28m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man's wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Heidi?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Allan Dwan

Written by

Walter Ferris · Julien Josephson

Shirley Temple

Shirley Temple

Heïdi

Jean Hersholt

Jean Hersholt

Adolph Kramer

Arthur Treacher

Arthur Treacher

Andrews

Helen Westley

Helen Westley

Blind Anna

Pauline Moore

Pauline Moore

Elsa

Thomas Beck

Thomas Beck

Pastor Schultz

Mary Nash

Mary Nash

Fraulein Rottenmeier

Court is in session

Put Heidi on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.