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Greyfriars Bobby

Greyfriars Bobby

Drama · Family · 1961

In Scotland 1865, An old shepherd and his little Skye terrier go to Edinburgh. But when the shepherd dies of pneumonia, the dog remains faithful to his master, refuses to be adopted by anyone, and takes to sleeping on his master's grave in the Greyfriars kirkyard, despite a caretaker with a "no dogs" rule. And when Bobby is taken up for being unlicensed, it's up to the children of Edinburgh and the Lord Provost to decide what's to be done.

Movie details

Greyfriars Bobby

“The True Story of a Dog”

1961 Drama · Family 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

In Scotland 1865, An old shepherd and his little Skye terrier go to Edinburgh. But when the shepherd dies of pneumonia, the dog remains faithful to his master, refuses to be adopted by anyone, and takes to sleeping on his master's grave in the Greyfriars kirkyard, despite a caretaker with a "no dogs" rule. And when Bobby is taken up for being unlicensed, it's up to the children of Edinburgh and the Lord Provost to decide what's to be done.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Greyfriars Bobby?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Don Chaffey

Written by

Robert Westerby · Eleanor Atkinson

Donald Crisp

Donald Crisp

James Brown

Laurence Naismith

Laurence Naismith

Mr. Traill

A

Alex Mackenzie

Old Jock

Duncan Macrae

Duncan Macrae

Sgt. Davie Maclean

Andrew Cruickshank

Andrew Cruickshank

Lord Provost

Gordon Jackson

Gordon Jackson

Farmer

J

Joan Juliet Buck

Ailie

Court is in session

Put Greyfriars Bobby on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.