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Yakuza Apocalypse

Yakuza Apocalypse

Action · Horror · Comedy · 2015

When young protege Akira Kageyama is bitten by his dying vampire boss, Genyo Kamiura, he must get used to his new powers before seeking revenge.

Movie details

Yakuza Apocalypse

“The Great War of the Underworld.”

2015 Action · Horror · Comedy 1h 55m

Critical arithmetic

The consensus, allegedly.

IMDb

5.5 / 10

4.6K votes

Rotten Tomatoes

62 %

Tomatometer

Metacritic

62 / 100

Metascore

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When young protege Akira Kageyama is bitten by his dying vampire boss, Genyo Kamiura, he must get used to his new powers before seeking revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Yakuza Apocalypse?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Urotsukidōji: Legend of the Overfiend

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Legend has it that the human race is not the only dominant civilization living on Earth. Two other races exist in this world: the Makai (a demon race) and the Jujinkai (a half-man, half-beast race). Once every 3,000 years, a supreme being known as the Choujin (Overfiend) will emerge and bring balance to all three realms on Earth. In present-day Japan, after 300 years of endless searching, a Jujinkai named Amano Jyaku has discovered the presence of the Choujin inside high school slacker Tatsuo Nagumo. But now, Amano, along with his sister Megumi and their sidekick Kuroko, must protect Nagumo and his new girlfriend Akemi Ito from the Makai, who believe that Nagumo is not the Choujin, but an evil entity bent on destroying all living beings on Earth.

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Operation Blood Hunt

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Prolific expert of the occult and whiskey, Reverend Conte, accompanies a ragtag group of military rejects to a remote South Pacific Island to investigate the disappearance of Marines units stationed there in 1944, said to be at the hands of the Japanese Imperial Army. Upon speaking with the island’s inhabitants, they soon discover the Marines had actually been massacred by a group of Lycanthropes, known to most as WEREWOLVES.

Wyrmwood: Road of the Dead

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Horror · 2014

Barry is a talented mechanic and family man whose life is torn apart on the eve of a zombie apocalypse. His sister, Brooke, is kidnapped by a sinister team of gas-mask wearing soldiers and experimented on by a psychotic doctor. While Brooke plans her escape Barry goes out on the road to find her and teams up with Benny, a fellow survivor – together they must arm themselves and prepare to battle their way through hordes of flesh-eating monsters in a harsh Australian bushland.

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Grindhouse

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Porno

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When a group of naive teens working at a movie theater in a small Christian town discover a mysterious film hidden in its basement, they unleash an alluring succubus who gives them a sex education…written in blood.

Where it lives

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Names above the title

The people responsible.

Directed by

Takashi Miike

Written by

Yoshitaka Yamaguchi

Hayato Ichihara

Hayato Ichihara

Akira Kageyama

Riko Narumi

Riko Narumi

Kyoko

Lily Franky

Lily Franky

Genyo motherfucking Kamiura

Reiko Takashima

Reiko Takashima

Sosuke Zenba

Sho Aoyagi

Sho Aoyagi

Yakuza bitchboy

Yayan Ruhian

Yayan Ruhian

Mad Dog

Kiyohiko Shibukawa

Kiyohiko Shibukawa

Hideaki Aratetsu

Court is in session

Put Yakuza Apocalypse on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.