The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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The Gay Divorcee
Comedy · Romance · 1934
Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.
Movie details
The Gay Divorcee
“The King and Queen of 'Carioca'”
1934 Comedy · Romance 1h 45m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Gay Divorcee?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Splitsville
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Names above the title
The people responsible.
Cast & crew
Directed by
Mark Sandrich
Written by
Dorothy Yost · George Marion Jr. · Edward Kaufman
Fred Astaire
Guy Holden
Ginger Rogers
Mimi Glossop
Alice Brady
Hortense
Edward Everett Horton
Egbert Fitzgerald
Erik Rhodes
Rodolfo Tonetti
Eric Blore
Waiter
William Austin
Cyril Glossop
Court is in session
Put The Gay Divorcee on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.