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Baadasssss!

Baadasssss!

Drama · 2004

Director Mario Van Peebles chronicles the complicated production of his father Melvin's classic 1971 film, "Sweet Sweetback's Baadasssss Song." Playing his father in the film, Van Peebles offers an unapologetic account of Melvin's brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.

Movie details

Baadasssss!

“A father, a son, a revolution.”

2004 Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Director Mario Van Peebles chronicles the complicated production of his father Melvin's classic 1971 film, "Sweet Sweetback's Baadasssss Song." Playing his father in the film, Van Peebles offers an unapologetic account of Melvin's brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Baadasssss!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mario Van Peebles

Written by

Dennis Haggerty · Mario Van Peebles

Mario Van Peebles

Mario Van Peebles

Melvin Van Peebles

Joy Bryant

Joy Bryant

Priscilla

Khleo Thomas

Khleo Thomas

Mario

T.K. Carter

T.K. Carter

Bill Cosby

Terry Crews

Terry Crews

Big T

Ossie Davis

Ossie Davis

Granddad

David Alan Grier

David Alan Grier

Clyde Houston

Court is in session

Put Baadasssss! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.