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If These Walls Could Talk 2

If These Walls Could Talk 2

Romance · Drama · 2000

The stories of three lesbian couples -- who live in the same house at different periods of time -- who are at a crossroads in their lives. In 1961, Edith loses her lover, Abby, to a stroke. Linda and Amy struggle with feminist issues in 1972. And, in 2000, Kal and Fran try to have a baby with the help of sperm donor.

Movie details

If These Walls Could Talk 2

“Women love women.”

2000 Romance · Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

The stories of three lesbian couples -- who live in the same house at different periods of time -- who are at a crossroads in their lives. In 1961, Edith loses her lover, Abby, to a stroke. Linda and Amy struggle with feminist issues in 1972. And, in 2000, Kal and Fran try to have a baby with the help of sperm donor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over If These Walls Could Talk 2?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jane Anderson · Martha Coolidge · Anne Heche

Written by

Anne Heche · Jane Anderson · Sylvia Sichel · Alex Sichel

Vanessa Redgrave

Vanessa Redgrave

Edith Tree

Michelle Williams

Michelle Williams

Linda

Ellen DeGeneres

Ellen DeGeneres

Kal

Chloë Sevigny

Chloë Sevigny

Amy

Marian Seldes

Marian Seldes

Abby Hedley

Paul Giamatti

Paul Giamatti

Ted Hedley

Elizabeth Perkins

Elizabeth Perkins

Alice Hedley

Court is in session

Put If These Walls Could Talk 2 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.