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Kissed

Kissed

Romance · Drama · 1996

As a child, Sandra Larson was fixated on death. As a mortician, she discovers that her fixation goes beyond not just preparations and embalming, but into necrophilia. Medical student Matt has feelings for Sandra, but her taste in men is the barrier for their relationship.

Movie details

Kissed

“Love can leave you cold.”

1996 Romance · Drama 1h 18m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

As a child, Sandra Larson was fixated on death. As a mortician, she discovers that her fixation goes beyond not just preparations and embalming, but into necrophilia. Medical student Matt has feelings for Sandra, but her taste in men is the barrier for their relationship.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kissed?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Lynne Stopkewich

Written by

Angus Fraser · Barbara Gowdy · Lynne Stopkewich

Molly Parker

Molly Parker

Sandra Larson

Peter Outerbridge

Peter Outerbridge

Matt

Jay Brazeau

Jay Brazeau

Mr. Wallis

N

Natasha Morley

Young Sandra

J

Jessie Winter Mudie

Carol

J

James Timmons

Jan

Joe Maffei

Joe Maffei

Biology Teacher

Court is in session

Put Kissed on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.