“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Kissed
Romance · Drama · 1996
As a child, Sandra Larson was fixated on death. As a mortician, she discovers that her fixation goes beyond not just preparations and embalming, but into necrophilia. Medical student Matt has feelings for Sandra, but her taste in men is the barrier for their relationship.
Kissed
“Love can leave you cold.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
As a child, Sandra Larson was fixated on death. As a mortician, she discovers that her fixation goes beyond not just preparations and embalming, but into necrophilia. Medical student Matt has feelings for Sandra, but her taste in men is the barrier for their relationship.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Kissed?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Lynne Stopkewich
Written by
Angus Fraser · Barbara Gowdy · Lynne Stopkewich
Put Kissed on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.



