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Shock Treatment

Shock Treatment

Comedy · 1981

Brad and Janet Majors find their strained marriage put to the test on popular Denton TV show Marriage Maze. Poor Brad is heavily sedated and institutionalised, whilst Janet is given a radical makeover and primed for stardom. But what are the real motivations behind the kooky DTV crew and their enigmatic head-honcho, Farley Flavors?

Movie details

Shock Treatment

“Trust me, I'm a doctor!”

1981 Comedy 1h 34m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Brad and Janet Majors find their strained marriage put to the test on popular Denton TV show Marriage Maze. Poor Brad is heavily sedated and institutionalised, whilst Janet is given a radical makeover and primed for stardom. But what are the real motivations behind the kooky DTV crew and their enigmatic head-honcho, Farley Flavors?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Shock Treatment?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jim Sharman

Written by

Richard O'Brien · Jim Sharman

Jessica Harper

Jessica Harper

Janet Majors

Cliff DeYoung

Cliff DeYoung

Brad Majors / Farley Flavors

Richard O'Brien

Richard O'Brien

Dr. Cosmo McKinley / Kitchenware Announcer (voice)

Patricia Quinn

Patricia Quinn

Dr. Nation McKinley

Charles Gray

Charles Gray

Judge Oliver Wright

Ruby Wax

Ruby Wax

Betty Hapschatt

Nell Campbell

Nell Campbell

Nurse Ansalong

Court is in session

Put Shock Treatment on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.