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Bye Bye Birdie

Bye Bye Birdie

Comedy · Music · 1963

A singer goes to a small town for a performance before he is drafted.

Movie details

Bye Bye Birdie

“The Most WONDERFUL Entertainment EVER! EVER!”

1963 Comedy · Music 1h 52m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A singer goes to a small town for a performance before he is drafted.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bye Bye Birdie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Kevin, Nick, and Joe Jonas face a series of escalating obstacles as they struggle to make it from London to New York in time to spend Christmas with their families.

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A detective is hired to protect the life of a singer, who has recently inherited a department store, from the store's crooked manager.

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Upon learning that he is from New York City, a wide-eyed boy, who is half human and half alligator, decides to leave his sheltered life in the swamp and search for his long lost father. A musical adventure.

Airheads

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Comedy · 1994

The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.

Where it lives

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Names above the title

The people responsible.

Directed by

George Sidney

Written by

Irving Brecher · Lee Adams

Janet Leigh

Janet Leigh

Rosie DeLeon

Dick Van Dyke

Dick Van Dyke

Albert F. Peterson

Ann-Margret

Ann-Margret

Kim McAfee

Maureen Stapleton

Maureen Stapleton

Mama Mae Peterson

Bobby Rydell

Bobby Rydell

Hugo Peabody

Jesse Pearson

Jesse Pearson

Conrad Birdie

Paul Lynde

Paul Lynde

Harry McAfee

Court is in session

Put Bye Bye Birdie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.