“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

A Wrinkle in Time
Drama · Science Fiction · Family · 2003
Meg and Charles Wallace are aided by Calvin and three interesting women in the search for their father who disappeared during a government experiment. Their travels take them around the universe to a place unlike any other.
A Wrinkle in Time
“To rescue their father, they must save the universe.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Meg and Charles Wallace are aided by Calvin and three interesting women in the search for their father who disappeared during a government experiment. Their travels take them around the universe to a place unlike any other.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over A Wrinkle in Time?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
John Kent Harrison
Written by
Susan Shilliday
Put A Wrinkle in Time on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






