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Greenberg

Greenberg

Comedy · Drama · Romance · 2010

Roger Greenberg, a failed musician now making a living as a carpenter in New York, returns to Los Angeles to house-sit for his brother. He's stranded there—since he doesn't drive—until his brother's assistant, Florence, comes to his rescue. She's as much a lost soul as he is, and the pair form a significant connection—giving Roger a much-needed reason to be happy.

Movie details

Greenberg

“He's got a lot on his mind.”

2010 Comedy · Drama · Romance 1h 47m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Roger Greenberg, a failed musician now making a living as a carpenter in New York, returns to Los Angeles to house-sit for his brother. He's stranded there—since he doesn't drive—until his brother's assistant, Florence, comes to his rescue. She's as much a lost soul as he is, and the pair form a significant connection—giving Roger a much-needed reason to be happy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Greenberg?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Noah Baumbach

Written by

Noah Baumbach · Jennifer Jason Leigh

Ben Stiller

Ben Stiller

Roger Greenberg

Greta Gerwig

Greta Gerwig

Florence Marr

Rhys Ifans

Rhys Ifans

Ivan Schrank

Jennifer Jason Leigh

Jennifer Jason Leigh

Beth (Beller's Party)

Mark Duplass

Mark Duplass

Eric Beller (Beller's Party)

Merritt Wever

Merritt Wever

Gina

Chris Messina

Chris Messina

Phillip Greenberg

Court is in session

Put Greenberg on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.