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Naked Lunch

Naked Lunch

Crime · Drama · 1991

Blank-faced bug killer Bill Lee and his dead-eyed wife, Joan, like to get high on Bill's pest poisons while lounging with Beat poet pals. After meeting the devilish Dr. Benway, Bill gets a drug made from a centipede. Upon indulging, he accidentally kills Joan, takes orders from his typewriter-turned-cockroach, ends up in a constantly mutating Mediterranean city and learns that his hip friends have published his work -- which he doesn't remember writing.

Movie details

Naked Lunch

“Exterminate all rational thought.”

1991 Crime · Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Blank-faced bug killer Bill Lee and his dead-eyed wife, Joan, like to get high on Bill's pest poisons while lounging with Beat poet pals. After meeting the devilish Dr. Benway, Bill gets a drug made from a centipede. Upon indulging, he accidentally kills Joan, takes orders from his typewriter-turned-cockroach, ends up in a constantly mutating Mediterranean city and learns that his hip friends have published his work -- which he doesn't remember writing.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Naked Lunch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Cronenberg

Written by

David Cronenberg

Peter Weller

Peter Weller

Bill Lee

Judy Davis

Judy Davis

Joan Frost

Ian Holm

Ian Holm

Tom Frost

Julian Sands

Julian Sands

Yves Cloquet

Roy Scheider

Roy Scheider

Dr. Benway

Monique Mercure

Monique Mercure

Fadela

Nicholas Campbell

Nicholas Campbell

Hank

Court is in session

Put Naked Lunch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.