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Less Than Zero

Less Than Zero

Drama · Crime · 1987

A college freshman returns to Los Angeles for Christmas at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.

Movie details

Less Than Zero

“It only looks like the good life.”

1987 Drama · Crime 1h 38m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

22.7K votes

Rotten Tomatoes

50 %

Tomatometer

Metacritic

48 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A college freshman returns to Los Angeles for Christmas at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Less Than Zero?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A high school basketball player’s life turns upside down after free-falling into the harrowing world of drug addiction.

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Urchin

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Mike, a rough sleeper in London, is trapped in a cycle of self-destruction as he attempts to turn his life around. Along the way, he encounters unexpected chances for a fresh start.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Marek Kanievska

Written by

Harley Peyton

Andrew McCarthy

Andrew McCarthy

Clay

Jami Gertz

Jami Gertz

Blair

Robert Downey Jr.

Robert Downey Jr.

Julian

James Spader

James Spader

Rip

Tony Bill

Tony Bill

Bradford Easton

Nicholas Pryor

Nicholas Pryor

Benjamin Wells

Donna Mitchell

Donna Mitchell

Elaine Easton

Court is in session

Put Less Than Zero on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.