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The Silence of the Lambs

The Silence of the Lambs

Crime · Thriller · Drama · 1991

Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

Movie details

The Silence of the Lambs

“To enter the mind of a killer she must challenge the mind of a madman.”

1991 Crime · Thriller · Drama 1h 59m

Critical arithmetic

One number, for now.

TMDB

8.3 / 10

Community rating

Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Silence of the Lambs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Jonathan Demme

Written by

Ted Tally

Jodie Foster

Jodie Foster

Clarice Starling

Anthony Hopkins

Anthony Hopkins

Dr. Hannibal Lecter

Scott Glenn

Scott Glenn

Jack Crawford

Ted Levine

Ted Levine

Jame Gumb

Anthony Heald

Anthony Heald

Dr. Frederick Chilton

Brooke Smith

Brooke Smith

Catherine Martin

Diane Baker

Diane Baker

Senator Ruth Martin

Court is in session

Put The Silence of the Lambs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.