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Starving in Suburbia

Starving in Suburbia

Drama · TV Movie · 2014

When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?

Movie details

Starving in Suburbia

“Dying to be thin.”

2014 Drama · TV Movie 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Starving in Suburbia?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tara Miele

Written by

Tara Miele

Laura Slade Wiggins

Laura Slade Wiggins

Hannah

Emma Dumont

Emma Dumont

Kayden

Callie Thorne

Callie Thorne

Joey

Izabella Miko

Izabella Miko

Teagan

Brendan Meyer

Brendan Meyer

Leo

Marcus Giamatti

Marcus Giamatti

Michael

Sharon Lawrence

Sharon Lawrence

Dr. Klein

Court is in session

Put Starving in Suburbia on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.