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In the Mouth of Madness

In the Mouth of Madness

Horror · Mystery · Drama · 1995

An insurance investigator visits a small town while looking into the strange disappearance of a popular horror novelist. He soon finds that the impact of the author’s books is far more than inspirational.

Movie details

In the Mouth of Madness

“Lived any good books lately?”

1995 Horror · Mystery · Drama 1h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

84.8K votes

Rotten Tomatoes

61 %

Tomatometer

Metacritic

53 / 100

Metascore

TMDB

7.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

An insurance investigator visits a small town while looking into the strange disappearance of a popular horror novelist. He soon finds that the impact of the author’s books is far more than inspirational.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In the Mouth of Madness?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Carpenter

Written by

Michael De Luca

Sam Neill

Sam Neill

John Trent

Julie Carmen

Julie Carmen

Linda Styles

Jürgen Prochnow

Jürgen Prochnow

Sutter Cane

David Warner

David Warner

Dr. Wrenn

John Glover

John Glover

Saperstein

Bernie Casey

Bernie Casey

Robinson

Peter Jason

Peter Jason

Mr. Paul

Court is in session

Put In the Mouth of Madness on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.