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Magic Mike XXL

Magic Mike XXL

Comedy · Drama · 2015

Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.

Movie details

Magic Mike XXL

“Back to the grind.”

2015 Comedy · Drama 1h 55m

Critical arithmetic

The consensus, allegedly.

IMDb

5.6 / 10

63.3K votes

Rotten Tomatoes

66 %

Tomatometer

Metacritic

61 / 100

Metascore

TMDB

6.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Magic Mike XXL?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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White Men Can't Jump

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In an effort to land the guy she's been pining after since grade school, Abby hires a local stripper named Santa Monica to teach her everything she needs to know about confidence and sex.

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Come As You Are

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Gregory Jacobs

Written by

Reid Carolin

Channing Tatum

Channing Tatum

Mike Lane

Matt Bomer

Matt Bomer

Ken

Joe Manganiello

Joe Manganiello

Big Dick Richie

Kevin Nash

Kevin Nash

Tarzan

Adam Rodriguez

Adam Rodriguez

Tito

Jada Pinkett Smith

Jada Pinkett Smith

Rome

Gabriel Iglesias

Gabriel Iglesias

Tobias

Court is in session

Put Magic Mike XXL on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.